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The Ledge
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DIRECTORS OF "The Ledge"
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CREATORS OF "The Ledge"
The Ledge
CRITICS OF "The Ledge"
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We Got This Covered
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November 11, 2013

The Ledge has a couple very strong performances and it explores some interesting issues. There are some satisfying thrills to be had here and overall, it's not a bad watch.
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Los Angeles Times
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July 08, 2011

A film that's ultimately sabotaged by its own heavy-handed screenplay.
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New York Post
Resource

July 08, 2011

Unlike its talky hero, the credibility of this preposterous drama immediately plunges into the abyss.
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Christian Science Monitor
Resource

July 08, 2011

Chapman coaxes good performances from his cast, especially Wilson, who makes Joe's immense conflicts a matter of empathy as much as abhorrence. But Chapman doesn't have the filmmaking skills to conceal the talky, formulaic narrative.
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TheWrap
Resource

July 07, 2011

Can't wait until Thanksgiving dinner to witness a pointless conversation between a pompous fundamentalist Christian and a sneering atheist? Then The Ledge is the movie for you.
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Television Without Pity

July 11, 2011

Clunky writing and flat-footed direction derail this initially intriguing exploration into both the power and limits of belief.
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Shockya.com
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July 10, 2011

The framing device of its conceit is beyond silly, and its religious and philosophical debate a tad inorganic, but ambition and intellect help drive and push The Ledge in interesting ways.
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Times-Picayune
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August 26, 2011

Covering well-worn territory and offering no solutions, it ends up feeling shrill and angry and not nearly as profound as Chapman seems to think it is.
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Movie Metropolis
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December 29, 2011

A perfectly watchable drama, but it could have (and should have) been a bona fide thriller.
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ColeSmithey.com
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July 09, 2011

Nothing much holds together in this entropic drama that still manages to entertain sporadically through the efforts of its sincerely invested cast.
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New York Daily News
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July 08, 2011

Gavin recalls his experiences while standing atop a building ready to jump; we're meant to be on edge ourselves, but the only real mystery is why Tyler took such an unrewarding role in the first place.
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New York Times

July 07, 2011

What undoes it is its mechanical structure: a stale dramatic formula of the sort taught in elementary playwriting classes.
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