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The Heiresses (Las herederas)
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The Heiresses (Las herederas)

Description
The financial conditions of Sheila and Kikita may change, as their finances worsen and they begin to sell their inherited property. Sheila and Kikita are forced to confront their painful new reality. Sheila started a new job by providing a local taxi service to a group of elderly wealthy ladies. After a short period of work, Chela enters into a new life when she encounters Angy the younger. Things began to move towards the better through their relationship that transformed Sheila's life into a new rich world.
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HEROES OF "The Heiresses (Las herederas)"
The Heiresses (Las herederas)
CRITICS OF "The Heiresses (Las herederas)"
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Cocalecas
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September 27, 2018

With his debut film, Marcelo Martinessi paints an impressive image of Paraguay's upper class, trapped in their situation as the characters are in their social roles. [Full review in Spanish]
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Variety
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February 16, 2018

Using largely unknown actresses with practically no screen experience yet an extraordinarily canny understanding of character, the director-writer achieves a heightened degree of insight within the confines of a stripped-down production.
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Caution Spoilers
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November 12, 2018

This beautifully played-out drama is as much about the emergence of Paraguay after so long under dictatorship as about the middle-aged Chela, now emerging from the literal darkness of her shadowy home. Ana Brun is exceptional as Chela.
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Seattle Times
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June 06, 2018

"The Heiresses" is the kind of story Hollywood doesn't tell anymore; a 50-something woman daring to rekindle her lost spirit of discovery.
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Backseat Mafia
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October 30, 2018

In Ana Brun he's found someone that doesn't merely equal his skill but surpasses it.
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Dog and Wolf
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August 24, 2018

It's a film with a small focus but it's intriguing, memorable and very powerful.
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The Playlist
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August 14, 2018

Martinessi compassionately and without judgment, looks to coax his country from the safe but darkened doorway of the past, out into the sunshine of the present and the uncertain weather of the future.
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IONCINEMA.com
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August 27, 2018

Brun's performance exists mostly in between her sparse bits of dialogue - her facial expressions direct the emotional core of any given scene, while her eyes seem to change color with particular moods.
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Caimán Cuadernos de Cine
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September 24, 2018

Aside from some great performances,The Heiresses transpires little more than a calligraphic application of a formula. [Full review in Spanish]
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CineVue
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August 14, 2018

Martinessi's frequent close-ups of Chela's face make her emotional ups and downs the driving force of The Heiresses.
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Hollywood Reporter
Resource

February 17, 2018

Builds emotional involvement by infinitesimal degrees through its acute observation of characters and social context and its ultra-naturalistic performances.
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AwardsCircuit.com
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October 04, 2018

The film succeeds mostly in Martinessi's direction. His shadowy visual aesthetic compensates for the narrative's shortcomings by evoking an absorbing sense of melancholy.
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