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The Beguiled (2017)
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The Beguiled (2017)
CRITICS OF "The Beguiled (2017)"
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MovieFreak.com
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September 21, 2017

The Beguiled is well worth seeing but it's also just as worthy of being taken to task for its shortcomings.
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Globe and Mail
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June 30, 2017

The Beguiled is Coppola's bloodiest, most visceral movie to date, and it is also one of her best.
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Detroit News
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June 30, 2017

Fanning, Dunst and the on-a-roll Kidman all seem ready to dive in, but "The Beguiled" stops them short. There's plenty of cunning boiling beneath the surface, but Coppola keeps a tight lid on it.
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San Diego Reader
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July 07, 2017

The general view seems to be that civilization might survive and even flourish if men weren't around to wreck it with their making of love and war, but where's the fun in that?
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Seattle Times
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June 29, 2017

The actors pitch their roles perfectly: Kidman's breathy calm; Farrell's charm, just hinting at something dark within it; Fanning's way of prettily arranging herself, showing off Alice's newfound power; Dunst's quiet melancholy.
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The New Paper (Singapore)
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September 19, 2017

Coppola keeps the story and setting simple, letting her actresses do all the work. Led by Kidman, they indeed turn in outstanding performances.
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South China Morning Post
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September 11, 2017

Although it has lashings of antebellum atmosphere, Sofia Coppola's remake of the 1971 Don Siegel/Clint Eastwood American civil war drama lacks the malicious bite it needs.
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El Universal
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September 19, 2017

The film points the triumph of delatation and extermination over Christian mercy, as well as the victory of dark eroticism over compassion and sentiment. [Full review in Spanish]
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Excelsior
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September 20, 2017

Although Sofia Coppola's best is still The Virgin Suicides, The Beguiled is highly recommended. [Full review in Spanish]
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Butaca Ancha
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September 07, 2017

The cast is physically attractive and the photograph is quiet and elegant, almost contrary to the tensions presented by its characters. [Full review in Spanish]
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Chicago Reader
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July 06, 2017

The Beguiled is better directed than it is written... In its study of interpersonal rivalry and sexual tension, the film doesn't say anything that wasn't better articulated in Don Siegel's 1971 adaptation.
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Toronto Star
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June 29, 2017

The story is briskly told - it's 11 minutes shorter than Siegel's version - with good performances that alternately amuse, seduce and shock.
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