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Sorcerer
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HEROES OF "Sorcerer"
Sorcerer
CRITICS OF "Sorcerer"
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Reel Film Reviews
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May 04, 2014

...a palpably overlong drama that's rife with superfluous scenes and subplots...
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TIME Magazine
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May 20, 2011

The new movie is handsomely shot and crisply edited. Why, then, does one rather distantly respect it instead of just plain liking it? It is an odd, disappointing feeling to take away from a summertime movie.
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Variety
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May 16, 2008

William Friedkin's Sorcerer is a painstaking, admirable, but mostly distant and uninvolving suspenser based on the French classic The Wages of Fear.
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Time Out
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May 28, 2014

By the time Sorcerer gets around to its rain-soaked, rickety-bridge set piece, you'll either be obsessed or fully checked out. Give yourself a chance to pick sides.
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Time Out
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January 26, 2006

Friedkin hints at political themes, but the film suffers most from condescendingly over-emphatic direction, and a generally tedious, relentless grimy realism in the opening half hour.
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Examiner.com
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April 21, 2014

Is it any wonder the film slipped into obscurity almost immediately after release? With the number of issues that pile up by the end of these two hours, an incredibly misleading title ends up being the least of its worries.
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Movie Mezzanine
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April 08, 2014

It's easy to be repelled by the film's relentless bleakness, but it's even easier to be entranced by its immense scale, impeccable craft and astonishing suspense.
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Times-Picayune
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April 22, 2014

Over the years, a certain mystique has surrounded Friedkin's dark tale, as is so often the case with lost films. Unlike many of them, though, Sorcerer delivers.
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The Dissolve
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April 29, 2014

[...] a defiant, mad gesture of a film that features some of the most exhilarating sequences in movie history.
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The Skinny
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March 06, 2014

Breathtaking in its cinematography, production design and sound work, Sorcerer is a worthy contender for the film with the most suspenseful set-pieces in Hollywood history - if such an arbitrary title existed.
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Village Voice
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May 27, 2014

First and foremost a lavish entertainment, no matter its brief examination of oil politics.
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Slant Magazine
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May 23, 2014

Friedkin's cyclical, almost Kafkaesque insistence that politics revolves around now globalized, corporate power delegating hired guns to do under-the-table bidding across national boundaries announces itself through the soundscape.
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