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School Ties
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DIRECTORS OF "School Ties"
School Ties
CRITICS OF "School Ties"
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Common Sense Media

January 02, 2011

Stirring movie may be too heavy for some tweens.
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New York Times

May 20, 2003

School Ties has a leafy, genteel look that is somehow less than convincing, perhaps because the hairdos are too tidy and the resemblances to other prep-school stories too clear.
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Rolling Stone

May 12, 2001

Good intentions go for naught as director Robert Mandel (F/X) pounds home every contrivance in the script by Darryl Ponicsan (Taps).
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Chicago Reader
Resource

October 15, 2007

This is a bewildering mixture of fairly accomplished storytelling, awkward contrivances in the script, and lies in the overall conception so egregious they undercut any pretensions the film might have to social seriousness.
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Washington Post
Resource

January 01, 2000

Director Robert Mandel, best known for the flashy techno-thriller F/X, brings a surprisingly sensitive touch to this earnest story of intolerance.
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Film4
Resource

October 15, 2007

Fraser, O'Donnell, Damon and Affleck would all go on to have much hyped careers, and occasionally make better films than this overbearingly worthy classroom drama.
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EmanuelLevy.Com
Resource

October 01, 2006

Though well-intentioned as a message picture, the film is too schematic and predictable, and ultimately may be more significant in featuring a new cohort of actors, including Brandon Frazer, Chris O'Donnell, Matt Damon, and others.
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Empire Magazine
Resource

October 15, 2007

The boys put in fine performances but sadly the script lacks the depth of what could have been a challenging story.
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TV Guide
Resource

October 15, 2007

In the real world, it's more likely that Greene's working-class background would work harder against his acceptance at a snooty prep school than his religious beliefs, but School Ties largely ignores this angle.
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eFilmCritic.com

April 03, 2005

Well-intentioned (and only occasionally mawkish) tale of college-boy anti-semitism.
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Time Out
Resource

June 24, 2006

More notable perhaps for a roster of future stars and Oscar winners than for its unexceptional plot, this well executed film nevertheless has its charms.
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Washington Post
Resource

January 01, 2000

There's a dramatic imbalance to Dick Wolf and Darryl Ponicsan's screenplay.
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