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Road to Perdition
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Road to Perdition

Description
A hit man for an Irish gang in the Depression-era Midwest, hit man Michael Sullivan is known to friends and enemies alike as the Angel of Death. But his bonds of loyalty are put to the test when his son witnesses what he does for a living.
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Road to Perdition
CRITICS OF "Road to Perdition"
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Alberto Abuín
Resource

February 28, 2017

Gangsters. Parents. Children. Honor. 'Road to Perdition' is all this and more, perhaps too perfect or too calculated, but with great cinema in it. [Full review in Spanish]
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Joe Morgenstern
Resource

April 14, 2013

What makes the movie pay off is moving pictures of real action and of intimate scenes between man and boy that are all the more moving for being understated.
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Todd McCarthy

August 08, 2008

While crisply edited and unindulgent, Mendes' work is gratifyingly old-school in its rejection of modern-day stylistic agitation, the better to achieve a slow but inexorable build to its climax.
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Mike Clark
Resource

April 14, 2013

So is Perdition still a must-see? No question. But it's tough to fuss about it much when a picture is this fussy.
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Jonathan Rosenbaum
Resource

April 17, 2007

Sam Mendes's 2002 follow-up to American Beauty finds him every bit as adept, arty, and Oscar hungry.
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Nell Minow

December 29, 2010

Powerful, beautiful film; ok for mature teens.
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Peter Canavese
Resource

August 02, 2010

The top-billed actors deliver: Hanks with his resonant reserve and Newman in conveying Rooney's failed attempt to live up to his self-image as the ultimate just and loving patriarch. [Blu-ray]
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Brian Gibson
Resource

February 07, 2014

Crisply, starchily self-conscious in its efforts to be a gangster epic. A pretty-enough remote place, with its rain and snow and fedoras and trenchcoats, but it's still a long way from Boardwalk Empire and Miller's Crossing.
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Stuart Klawans
Resource

July 21, 2015

Very little of Road to Perdition lingers, except for a feeling that you've been carried along.
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John J. Puccio
Resource

July 28, 2010

...something more than the sum of its parts; namely, a gripping, touching, entertaining motion picture.
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David Denby

April 14, 2013

Visually, the picture is all of a piece, but it's a self-conscious piece of work -- all dark-toned academic classicism.
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Geoff Andrew
Resource

February 09, 2006

Ploughing a furrowed brow, Hanks is fatally miscast -- except that the story turns so sentimental and bathetic, he's actually in his element.
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