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Mean Streets
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Mean Streets
CRITICS OF "Mean Streets"
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Seanax.com
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May 22, 2016

[F]or all the violence of the streets, this is less a crime film than a character piece, a love letter to the streets of New York's Little Italy and the young men rattling around like tough guys and fantasizing about becoming the real thing.
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Time Out
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February 09, 2006

One of the best American films of the decade.
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New York Times

May 20, 2003

No matter how bleak the milieu, no matter how heartbreaking the narrative, some films are so thoroughly, beautifully realized they have a kind of tonic effect that has no relation to the subject matter.
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Chicago Reader
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March 31, 2008

The acting and editing have such an original, tumultuous force that the picture is completely gripping.
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Los Angeles Times
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February 14, 2001

Its greatness lies in its leanness, with nary a word, a move, a gesture that's nonessential.
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Matt's Movie Reviews
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March 09, 2011

Authentic in feel and immensely personal in subject matter, Mean Streets marked the arrival of one Martin Scorsese and his unique brand of urban filmmaking.
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Cinema Writer
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August 20, 2010

showcases Scorsese's artistic strengths and weaknesses as they stood at the outset of his career
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CinePassion
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March 03, 2013

Scorsese exalts cinema as the mediator of reality, memory and reverie, the demonic art that enthralls the church boy
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Quickflix
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April 16, 2013

This marriage of indelible imagery with electric, seemingly incongruous pop songs wouldn't be bettered until, well, the next time Scorsese decided to do it.
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Variety
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March 31, 2008

Scorsese is exceptionally good at guiding his largely unknown cast to near-flawless recreations of types. Outstanding in this regard is De Niro.
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Chicago Sun-Times
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January 01, 2000

In countless ways, right down to the detail of modern TV crime shows, Mean Streets is one of the source points of modern movies.
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