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The film focuses on Isabelle, who was a poor woman, but extremely intelligent and cunning. She had arranged everything to harm Christine order to appropriate property and Christine company. But the ending will be like? Invite you to watch ...
![Double Lover (L'amant double) [Sub: Eng]](https://static.gomovies.tube/img/movies/dBnFJACVuiJ1OvsqyB1enaYs3KmvOGqQMNnOKE6o0qukzoCCqlNeruzThOhCmdUI9XFnj-UeH0pNkB3Tn8aUbQhauLG_-NBpQcpfUV8DI44.jpg)
1970, Lisbon, Portugal
29 September 1955
3 July 1979, La Celle-Saint-Cloud, Yvelines, France
1964, Paris, France
3 June 1950, Clermont-Ferrand, Puy-de-Dôme, France
20 June 1972, Paris, France
24 May 1960, Redruth, Cornwall, England, UK
June 22, 2013
It is strange how un-French the film really is: Roman Polanski would have had a field day with this material.
October 07, 2011
Would anyone really perpetrate a scheme as complicated and risky as Isabelle's? Not likely - but that's why we go to the movies.
October 06, 2011
This is a ridiculous movie - a thriller so indifferent to suspense, so above mystery that one character literally stabs another in the front.
October 28, 2011
Love Crime may not have much to do with love, but the crimes are meanly delicious.
September 30, 2011
Hell hath no fury like a woman scorned. Especially one in a power suit, who knows how to work a room.
December 19, 2012
This French dramatic thriller is so gleefully trashy that it's rather entertaining, as long as you don't try to take it seriously. Sleek and seductive, it's a pungent tale that plays out like a particularly lurid corporate soap.
December 17, 2012
Implausible perhaps, but the twists on Working Girl and All About Eve are intriguing and strongly acted.
December 20, 2012
While the second half is no stronger or weaker than the first, what it does confirm are any earlier suspicions that this is no more than a piece of competently executed French popcorn cinema along the lines of 2008's Anything For Her.
April 22, 2013
Despite the odd false note, Love Crime's depiction of corporate backstabbing is scarily believable, yet it's as a perversely twisted modern film noir that the film delivers its biggest pleasures.
December 17, 2012
What a disappointment.
October 20, 2011
The movie veers off in a different direction about two-thirds of the way through; the shift is initially jarring but eventually rewarding.
September 22, 2011
On the one hand, you have to admire such obsessive mise en scene; on the other, there's something wrong with a suspense film when the sets are more interesting than the characters.
