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Long Day's Journey Into Night (Di qiu zui hou de ye wan)
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Long Day's Journey Into Night (Di qiu zui hou de ye wan)

Description
It is a dramatic story that changed the life of Luo Hongwu. This man decided to return to Kaili, the hometown from which he fled 12 years earlier. There, there are memories of an enigmatic and beautiful woman resurface that he loved and whom he has never been able to forget. For achieve this goal, Luo Hongwu begins his search for her in a journey that will be very exciting.
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Long Day's Journey Into Night (Di qiu zui hou de ye wan)
CRITICS OF "Long Day's Journey Into Night (Di qiu zui hou de ye wan)"
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The Playlist
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October 23, 2018

Make no mistake about it, Long Day's Journey Into Night is a flat-out masterpiece and Cannes organizers might want to rethink their selection choices next time.
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Hollywood Reporter
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May 15, 2018

A densely layered and slowly mesmerizing cinematic feat.
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Screen Slate
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March 02, 2019

Long Day's Journey Into Night has been declared a masterpiece before most audiences have had a chance to see it, but that does disservice to Bi Gan's risk-taking in what's only his second feature.
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Variety
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May 19, 2018

Comes up short in substance.
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One Room With A View
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February 12, 2019

All style, no substance.
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The Daily Beast
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October 10, 2018

With a daunting level of detail and expert grasp of mood, Long Day's Journey ventures into expressionistic new territory, pondering questions of time, space, and truth.
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Caimán Cuadernos de Cine
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September 27, 2018

This critic, however, cannot avoid the sensation that [director] Bi Gan, at certain moments, seeks effect more than coherence. [Full review in Spanish]
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Reverse Shot
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October 11, 2018

There is some satisfaction that comes in seeing motifs and symbols established within the first part of Long Day's Journey Into Night as they re-emerge in the galvanizing high-wire act performance of the second.
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Film Companion Reviews
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October 19, 2018

This dazzlingly opaque dream-drama is one-of-a-kind.
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Slant Magazine
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September 24, 2018

Somehow, Bi Gan's film is self-aware and fluid as its own viewing experience, yet inextricable from its loud-and-clear influences.
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indieWire
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May 16, 2018

The Chinese director's sophomore effort is a fascinating application of filmmaking innovation toward expressionistic ends.
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The Nation
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October 25, 2018

Nothing makes much sense, but everything is gorgeous.
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