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Blow Out
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Blow Out
CRITICS OF "Blow Out"
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Stream on Demand
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May 04, 2017

... classic De Palma, with its sinister elegance, meticulous cinematic choreography, voyeuristic obsessions, and fascination with guilt, as well as his most human and mortally vulnerable film.
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Variety
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March 26, 2009

With attractive leads and a stylish flair for suspense, De Palma misses sustaining involvement by his distracting allusions to prior films.
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New Yorker
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May 28, 2008

It's a great movie.
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Film.com
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April 30, 2011

Perfectly contrasts movies that reveal the truth against those which avoid it - a blood-drenched yet stake-free slasher vs. the far more insidious horrors of all-American living.
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Time Out
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June 24, 2006

Where Antonioni's images made you think, De Palma's merely make you blink, and the baroque plot confuses as often as it frightens.
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Q Network Film Desk
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May 02, 2011

The final moments of Blow Out are among the most shocking and powerful of De Palma's oeuvre, tacking a final note of irony onto a story that is in every other way a straightforward denunciation of power run amok.
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Parallax View
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May 01, 2011

Blow Out integrates De Palma style with narrative urgency and thematic consistency better than any of his films.
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Film Freak Central
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May 18, 2011

If cynicism were a superhero franchise, Blow Out would be its origin story.
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The Film Stage
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July 20, 2016

In a career fixated on the machinations of filmmaking presented through both a carnal and political eye, Brian De Palma's fascinations converged idyllically with Blow Out.
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City Pages, Minneapolis/St. Paul
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August 20, 2009

In the amazingly hyperbolic finale, DePalma conflates patriotism, dirty tricks, violence against women, and slasher movies into a single sick joke.
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Chicago Reader
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March 27, 2009

This 1981 release is one of Brian De Palma's more interesting and better-made thrillers, though it's even more abjectly derivative than his Hitchcock imitations.
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Chicago Sun-Times
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October 23, 2004

A movie which continues [De Palma] practice of making cross-references to other movies, other directors, and actual historical events, and which nevertheless is his best and most original work.
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